From illustrated film posters reimagined for canines, to the cinematic role of the dog collar, this 74th edition draws from the film’s themes of (literal) puppy love — how irreplaceable these four-legged bundles of fur are to humans. Look inside the issue with our video review below, and grab your copy from their site before it sells out…

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It’s a stunning publication filled with bold, off-kilter layout design, fantastic photography and refreshing narratives. Made in Barcelona, it’s printed in English with a Spanish translation supplement. Read on for five of our favourite stories from their fifth issue.

1. Putting on a show for pets

What is the language of animals? Do they enjoy art, like us? To answer these questions, Agapornis reports on Krõõt Juurak and Alex Bailey, a pair of performers who put on shows for people’s pets. Getting down on all fours, shaking their hips, and using sounds and costumes, they enchant dogs and cats alike. “The pets can barely take their eyes off them,” Jaime Arribase Leal writes, describing the way the pets share their toys with the performers, in a phenomenon that strangely makes a lot of sense — shouldn’t humans see things from their pets’ perspectives sometimes?

2. Gucci in two dimensions

Dressed in Gucci, the fashion editorial of this issue sees two parallel universes. On one page, the model is in the shot with a pet, and on the opposite page, their image is made into a collage of their spitting image.

3. The ultimate cat person

Dispelling the myth of the ‘cat lady’, Agapornis travels to California to visit the home of Lynea Lattanzio, a caretaker of over 700 cats. When she reached 96 cats, a point at which most would probably consider stopping, she became a surgical veterinary technician, and sold her Mercedes and her wedding ring to take care of the animals. Today, her house is the state’s largest no-cage, no-kill cat sanctuary and adoption centre.

4. A rabbit island in Japan

With a dark, lingering history, the abandoned island of Okunoshima is overrun with rabbits. The first generation of furry hoppers were brought over during World War II, as test subjects for chemical weapons that were produced on the island. When the war was over, the factory workers freed the rabbits, and today, people travel by ferry to visit its sandy terrain, which is now known to bring good luck and fertility to its visitors.

5. Ric O’Barry, dolphin trainer and activist

One of the strongest components of this magazine is the contributors’ undeniable admiration for animals, and an interview by a dolphin obsessive deserves a mention. She shares an intimate conversation with Ric O’Barry, the activist known for the documentary The Cove, while they bond over their mutual reverence for the aquatic mammal.

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Their eighth issue wants to challenge the conventions of beauty, and focus their lens on dogs that are “least likely to succeed.” From bald beauties to rescue puppers and those adorned with the cone of shame, editor Marta Roca talks us through the defining features of the issue.

Bald is Beautiful: Why are some breeds so polarising?
Hairless dogs always cause a stir. Reactions can range from wonder and ‘looking-from-a-distance-sort-of-awe’ to amusement and downright disgust. Why do we find some breeds so polarising? What’s considered beautiful? Klaus Dyba’s work (below) both asks and answers these questions.

“Bald dogs are ugly for most people,” he says. “You need to see behind it. The real beauty is only to be seen in their personality and character.” Some breeds get a bad rap due to stereotypes, but Klaus’s portraits capture these oft-rebuffed dogs with pride, dignity, and a certain pop-star allure. Owners of hairless breeds also fear they’ll be seen as freaks because of the way their dog looks. Klaus’s images are totally devoid of judgement, his tone is unapologetic, and his lighting is impeccable.

Cones of Shame
It’s hard to describe the magic of photographer Winnie Au’s ‘neck collar’ project (below). It’s architecture, it’s high fashion, it’s cotton candy. Winnie has transformed the modern ‘neck cone’ (officially known as the ‘Elizabethan collar’) from a face prison into a thing of play. To make it happen, stylist Marie-Yan Morvan built collars from feathers, soft fabrics, airy fluff, and fake flowers. Each piece was modelled by a different dog, such as Kyrie the Weimaraner who fell asleep in her cone, and Lux the pit bull who couldn’t sit still. (They got there, in the end.) The series will turn into a calendar this year, with the proceeds donated to a charity that provides funding for dog surgeries.

Marshall, the rescue dog, sketched in a hundred ways
The dog is the muse, that’s our motto. So in featuring Masha Shishova’s project, ‘100’ (below), the stars aligned. In a nutshell: when Masha was still in art school, she was asked to represent an animal in 100 different ways, using 100 different techniques. For certain artists, the challenge of working within constraints can open up boundless possibilities. Personally, I have always found a comforting beauty and freedom in the rhythm of repetition. Each sketch features Masha’s rescue, Marshall who, as she puts it, is a “real inspiration, the ideal model for a graphic artist”. The odd-ball quality of the linocuts and collages made them our instant favourites.

When a dog is part of the conversation, human barriers disappear
Dogs are the greatest ‘interview-crashers’, in the best way. Talking to creative ‘dog people’ is often both exhilarating and nerve-wracking. (Full disclosure: we usually nurture fan-crushes for a long time.) In this issue, we get to peek into the worlds of NYC ballerina Ingrid Silva, London restaurateurs Sandia Chang and James Knappett, and Osaka-based furniture designer Tokuhiko Kise. This section is always peppered with surprises. Just when we think we’ve got the human/dog bond worked out, someone shares an insightful comment or a poignant story and we’re back at square one: humbled and inspired by each relationship.

A tribute to Lords of Dogtown
Photographer Benn Wood describes himself as a “fashion, portrait, and dog-ographer”. His work often crosses into skateboarding (a culture he is a part of). When we discussed paying tribute to Lords of Dogtown (below), Benn found the best location (thank you St Kilda Skate Park) and a legit ‘skater/dog’ combo. The skater is Chris Scott (Scotty), a carpenter who designs beautiful timber furniture. Captain is his loyal sidekick. When Scotty skates, Captain goes berserk running after the board and howling with glee. (Especially if a ball is involved. Captain will also chase a lemon if you throw it far enough, thinking it’s a tennis ball.) There is so much joy in these images; we can almost hear Captain’s barks and Scotty grinding on the concrete.

Pop Icons, from the Queen’s corgis to Brian Griffin
This column always makes us weep with happiness. (Especially as it hits our inboxes the week before the print deadline, when all hell breaks loose.) In this issue, we tackled pop culture’s ultimate four-legged badasses: from Cujo to Brian Griffin, via the Queen’s corgis and, of course, Snoopy. Writer Luke Ryan’s musings are a hilarious stream of dog consciousness most likely fuelled by copious amounts of Melbourne coffee. Illustrator Faye Moorhouse adds the icing with a frightening rabid-dog watercolour.

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